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Slovene Films

Slovene Films

0 €
Datum izida:5/26/2011 10:00:00 PM
Oblikovanje:Matjaž Učakar
Motiv:Camerman
Tisk:AS VABA MAA, Tallinn
Izvedba:4-colour offset in sheetletss of 10 stamps
Papir:Senator Natral Litho PVA Gummed 96
Velikost:
Zobčanje:Comb 14 1/4 : 13 3/4
Ilustracija:
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Slovene Films

<p>This year we are celebrating the eightieth anniversary of the premiere of the first Slovenian full-length (partially) acted film, In the Realm of the Goldenhorn. The film was the result of the enthusiasm of the leaders and members of the Skala Tourism Club hiking association. The film was directed by music professor Janko Ravnik, an amateur photographer and the long-time president of the Skala club.&#160; The film was written, shot, developed and edited by the members of the club. In the Realm of the Goldenhorn was filmed between 1928 and 1931. It was a smash hit. The proceeds allowed the Skala club to build the former mountain hut at Rjava skala (Brown Stone) – today the hotel at the top station of the Vogel gondola sits in its place – and publish a book on Alpinism. The film is a silent narration of a climb up Triglav, and is above all a declaration of love for Slovenia and its people.&#160; The film is part of the mountain film genre, a sort of Alpine western with elements of patriotic film. Both of these genres were very popular in Central Europe in the twenties and thirties, especially in Germany. Mountain films were also very popular in Slovenia. <br>Script&#58; Juš Kozak<br>Director, camera and editing&#58; Janko Ravnik<br>Featuring&#58; Joža Čop (Roban),&#160; Miha Potočnik (Klemen),&#160; Herbert Drofenik (Gornik), Franica Sodja (Liza).<br>Produced by&#58; The Skala Tourism Club<br>Technical information&#58; 35 mm, black and white, silent, length 2100 m (originally 3000 m) <br>The premiere was held on Saturday, 18 August 1931 in the large hall at the Hotel Union.<br>Motif on the stamp&#58; Janko Ravnik filming the first Slovenian film from Draški vrh mountain. “Actor” Herbert Drofenik (Gornik) is seated next to the camera.</p><p>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; </p><p>Igor Koršič, PhD.<br></p>